Thursday, March 29, 2012

Sony Cyber-shot DSC-HX9V 16.2 MP Exmor R CMOS Digital Still Camera with 16x Optical Zoom G Lens, 3D Sweep Panorama and Full HD 1080/60p Video

Sony Cyber-shot DSC-HX9V 16.2 MP Exmor R CMOS Digital Still Camera with 16x Optical Zoom G Lens, 3D Sweep Panorama and Full HD 1080/60p Video

Sony Cyber-shot DSC-HX9V 16.2 MP Exmor R CMOS Digital Still Camera with 16x Optical Zoom G Lens, 3D Sweep Panorama and Full HD 1080/60p Video
Brand : Sony | Rate : | Price : Too low to display
Post Date : Mar 29, 2012 12:21:17 | Usually ships in 24 hours

Sony Cyber-shot DSC-HX9V 16.2 MP Exmor R CMOS Digital Still Camera with 16x Optical Zoom G Lens, 3D Sweep Panorama and Full HD 1080/60p Video

Let yourself go and rejuvenate your passion for photography with the Cyber-shot DSC-HX9V digital camera. Boasting innovative features like Full HD for crystal clear movies, Hi-speed Linear focus for dramatically clearer images and Backlight Correction to catch even the smallest details in high contrast shots, you'll find yourself falling in love again. A 16x optical zoom Sonly G lens brings distant subjects super close for great outdoors, sports and travel photos. In addition to Full HD 1080/60p movie recording capabilities, this high zoom digital camera also features iSweep Panorama mode to capture high resolution panoramic shots.Whats in the Box:? Camera (1)? Rechargeable battery pack NP-BG1 (1)/Battery case (1)? Multi-use terminal USB cable (1)? AC Adaptor AC-UB10/UB10B (1)? Power cord (mains lead) (not supplied in the USA and Canada) (1)? Wrist strap (1)? CD-ROM (1)- Cyber-shot application software- "Cyber-shot User Guide"? Instruction Manual (this manual) (1)

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Thursday, February 16, 2012

Canon PowerShot ELPH 300 HS 12.1 MP Digital Camera (Black)

!±8± Canon PowerShot ELPH 300 HS 12.1 MP Digital Camera (Black)

Brand : Canon | Rate : | Price : $176.99
Post Date : Feb 16, 2012 16:37:12 | Usually ships in 24 hours


The Canon 5096B001 PowerShot ELPH 300 HS Black 12MP Digital Camera with 5x Zoom and 2.7 In. LCD Display has a slim profile that will not only make you stand out from the crowd, but it will also deliver incredibly brilliant still images and amazing 1080p HD videos. Once you turn on the camera, be prepared to be amazed at how much is packed into one of the slimmest point-and-shoot digital cameras on the market. So let your imagination run free and let the HS SYSTEM, 24mm 5x Optical Zoom and 12.1 Megapixels help you achieve great images everywhere.

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Wednesday, February 8, 2012

Tech 21 SansAmp RBI Bass Driver Rack

!±8± Tech 21 SansAmp RBI Bass Driver Rack

Brand : Tech 21 | Rate : | Price : $329.00
Post Date : Feb 08, 2012 14:43:30 | Usually ships in 1-2 business days


  • SansAmp Bass PreAmp
  • The Rackmount SansAmp Preamp Bass s:bass0705
  • Rackmount Bass PreAmp with Effects Loop and 2 Direct Outputs

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Tech 21 SansAmp RBI Bass Driver Rack

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Tuesday, January 17, 2012

Size No Longer Matters to Guitarists

!±8± Size No Longer Matters to Guitarists

10 years ago I would have had a better chance spotting a Unicorn than seeing a guitarist use a computer for anything (besides emailing their sisters for money of course). Computers were that lowly thing that other lowly musicians needed to compete and create, while us axe men were left digitally unscathed thanks to the organic methods from which our sound was produced.

Back in the day, when even drummers had to learn how to plug something into a wall, we still had our cold steelesque logos, our big hunks of wood, the mesh grills that hid at least four 12 inch "Wimp Killer" speakers, and a rack of effects that looked like it could detect alien life forms if we pointed it at the sky. Companies with names that sounded as if they accessorized the Death Star equipped us with our ammo and we loved it. God bless Mesa Boogie and the Groove Tube and long live the Marshall stack.

Although there were innovators at the time that did a reasonably decent job introducing amp modeling technology, it was often pricey and in the end, not the most appealing solution for guitarists who loved their "rigs". The original SansAmp was nice enough, and combined with a nice multi-effects processor you could get away with a very nice recorded sound. In terms of "live" performance however, it just never cut the mustard like a nice rack/amp and some great speakers. Before SansAmp I remember the Rockman by Tom Sholz. (yes I'm that old) This little unit was also fairly cool at first, but the more I used it the more irritating the sound became (think fingernails and chalkboards). In the end I remember hearing our neighbors cat in heat one evening and it reminded me of the sound of my Rockman. Needless to say I chucked it in the bin along with my unsolved Rubiks Cube and begged my parents to buy me a Mesa Boogie. (They never did)

Factoid: Parents never cooperate when the thing you want is louder than their need to scream at you.

Enter the POD.

When Line 6 decided to market their creation, the POD, everything changed. With the introduction of the POD I was forced to realize that the digital age was upon me, and that holding onto tradition would become hazardous to my musical health without at least exploring the brave new world to which I belonged. In the beginning I wanted to hate that little red "eye sore" - after all, it reminded me of an over-sized Mexican Jumping Bean. Now that I think about it I guess that was the point, hence the name "POD". It was on my second tour of Asia where I completely realized how important Line 6's cool little "amp killer" would become. I found that I could walk on stage night after night not suffering from the various life threatening spinal chord injuries my guitar rig always gave me as I lifted it through hundreds of airport security checks. I mean, my "amp" was in my bloody carry on luggage. How cool is that?

Now I can't live without my POD. Of course on big shows I still utilize my Death Star rig, but when a gig comes along that requires quick set up, no sound checks and lots of in-between travel "sans roadies" the Pod still can't be beat. Also, how can I knock a device that lets me close my eyes and hear a wall of 100 watt Marshall Stacks turned to 11, while my wife sits 3 feet from me comfortably watching Desperate Housewives?

How does this relate to computers you may ask? Well, as amp modeling hardware progresses, amp modeling software is never far behind. Latency and that age-old digitally "thin" sound we all loathed is fast becoming a thing of the past. With these negatives becoming less of an issue one will find that more and more guitar tacks are being finished and mastered in a completely digital environment. This is reason enough to get involved with the progression of guitar amp modeling. In future articles we will be reviewing most of the current choices for modeling software, and believe me, there are some solid choices available.

Meanwhile, 10 years later if you have still left this inexpensive, quirky looking device out of you list of things to get, do yourself a favor and forego your long awaited 3 day drinking binge and grab a Line 6 POD on Ebay. Better yet, go to the Line 6 website and see what else they have to offer because they have a great deal of coolness and they are a dedicated company worth checking out.


Size No Longer Matters to Guitarists

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Saturday, January 7, 2012

RPM

!±8± RPM

Brand : Tech21 | Rate : | Price : $329.00
Post Date : Jan 07, 2012 16:19:37 | Usually ships in 1-2 business days

In the simplest terms, the SansAmp RPM is Tech 21's SansAmp Acoustic DI pedal in a rackmount format adapted into an expanded multi-instrument tool. This instrument pre-amp features the same parametric equalization and SansAmp processing with the addition of a Drive control. It makes an excellent partner for Tech 21's SansAmp RBI pre-amp for bass or SansAmp PSA-1 programmable pre-amp for guitar. Active Bass and Treble tone controls cut or boost 12dB. Sweepable semi-parametric EQ controls, Mid Shift & Mid, range from 170Hz to 3.0 kHz, 16dB, respectively. Blend mixes the amount of SansAmp circuitry with the direct instrument signal. There's an individual level control for the XLR output to optimize an amp's output relative to the PA system. Engineered for both studio and live applications, SansAmp RPM is designed to go direct into the mixing console of a recorder or P.A. system. It can also be used with conventional acoustic or electric guitar amps to enhance and expand their capabilities.

  • Effects loop with a Mix 50/50 switch for series or parellel operation
  • Rear 1/4'' input and XLR output with selectable levels
  • Buffered uneffected XLR output to run a dry signal to a separate channel
  • Footswitch input to engage unit
  • Footswitch output to chain and toggle between a SansAmp RBI or SansAmp PSA-1

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Sunday, January 1, 2012

Tech 21 SansAmp GT2 Tube Amp Emulator

!±8± Tech 21 SansAmp GT2 Tube Amp Emulator


Rate : | Price : $189.00 | Post Date : Jan 01, 2012 20:22:18
Usually ships in 1-2 business days

SansAmp GT2's streamlined design allows you to "architecturally" create your own rig in seconds by choosing amplifier type, modification, and speaker cabinet/mic placement configurations. We've taken the best parts of the most wanted tube amplifier set-ups and broken them down into individual, user-accessible "components." You can easily mix and match specific sound characteristics in ways that would otherwise be physically improbable, probably impractical, and definitely not cost effective.

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