I recorded in early morning.. still sleepy... actually i've never really paid attention to what Satch did in this song.... just my own interpretation about this song.... so .. i came with a lil bit improvisation here... hope you enjoy it... I recorded this sound directly from my Ibanez RG250LTD-JB - Ibanez TS9DX (mod) - Tech21 SansAmp TriAc - BOSS GE7 - Line6 PODxt controlled via Roland GR33 Guitar Synthesizer ... went into my laptop ACER 4520 via USB connection (PODxt USB)... captured with Windows Movie Maker for both sound (Guitar and Winamp) and video...
Sunday, December 25, 2011
Wednesday, December 21, 2011
gilneyparson SansAmp tri-AC tech 21 NYC
aqui o link do player www.4shared.com a musica www.4shared.com
MR CROWLEY.wmv
Mr Crowley Bass Cover, testing out my new Ampeg SVT 7 PRO, and sans amp tech 21 , (tech 21 is on channel 2 settings), Peavey 410 Tour Series cab
Low Price Enfamil $5 Coupon Coupon For Scott Tissue Free Shipping Wolf 36 Gas Range Reviews
Saturday, December 17, 2011
Tech 21 SansAmp 3-Channel Programmable Bass Driver DI
!±8± Tech 21 SansAmp 3-Channel Programmable Bass Driver DI
Rate :
| Price : $209.00 | Post Date : Dec 17, 2011 16:51:27Usually ships in 1-2 business days
Sans Amp Programmable Bass Driver DI Much more than just a direct box, the SansAmp Bass Driver DI is capable of dialing up big vintage tube tones, bright modern slap sounds, gnarly distortions, and all in between. Three different outputs to drive power amps, recording desks, PA mixers, or simply enhance your current rig. Controls include Presence for definition and upper harmonic content; Blend to combine the proportion of direct signal and SansAmp circuitry; and active EQ specifically tuned for bass with 12dB of cut or boost. The controls offer a broad range of traditional bass amp sounds, including such meaty styles as Bassman and SVT, as well as raunchy, crunchy overdriven sounds that would typically require a multitude of effects units. For studio and live applications, SansAmp Bass Driver DI is engineered with three outputs: an effected XLR, and effected 1/4", and a parallel, unaffected 1/4". The footswitch activates the Tube Amplifier Emulation circuitry. Disengaging the circuitry enables you to use SansAmp Bass Driver DI as a standard active transparent direct box.
Sandisk Thumb Drives Review Suntube Skylights Sale Off Bargain Sale Led 10mm
Monday, December 12, 2011
Sansamp Bass Driver DI Demo
A demo of the Sansamp BDDI by Tech 21. Sorry for the bad playing, but it shows you differents sounds ;) // Désoloé pour le jeu horrible, mais au moins ça vous donne une idée des différents sons ;)
Catalog Uniden Handheld Scanner Saving Solar Tubes Skylights Organic Virgin Unrefined Coconut Oil Purchase
Thursday, December 8, 2011
Sansamp Classic Kurt Cobain Set Configuration
Sansamp Classic Kurt Cobain Set Configuration (sound test) I know that I made some mistakes but, it was just a test.
Friday, December 2, 2011
EP 42 - Bass Recording with Sound Samples
Here in this video we have an update to our Episode 8 bass recording video. www.zzounds.com - Tech 21 Sansamp Programmable Bass Driver DI www.zzounds.com - Tech 21 Sansamp Bass Driver DI www.Limitless-Studios.com - Our Website
Tuesday, November 29, 2011
Tech 21 VT Bass vs Sansamp Classic / Original (on... bass!)
Some of the suggested settings for the Tech 21 VT Bass (2008) and approximations on the original SansAmp (1989). I've attempted to balance the levels on recording but the original may sound a little louder due to having a stronger midrange.
Purchase Ultrasonic Humidifier Vicks Cheapest Pampers Discount Garden Hose Sprayer Review
Friday, November 25, 2011
Jon Paul (Only Girl By Rihanna) Bass Cover
Hey there. This is my cover of "Only Girl" by Rihanna! This is by far my personal favorite of all my covers so I hope you enjoy it as much as I do! www.facebook.com PLEASE SUBSCRIBE =) I am a sponsored artist by Tech 21 music equipment. I exclusively use their pedals for all recordings I make. Check out their website! www.tech21nyc.com Comments, Messages, and Friend Requests are greatly appreciated! Equipment used: Fender Jaguar, Ampeg 8x10, Ampeg Svt-3 PRO, SansAmp Tech-21 Bass Driver DI. Contact: Jonpaulmusic@yahoo.com Auxiliary bass by Jonathan Paul All rights reserved to (C) 2010 The Island Def Jam Music Group . These covers are strictly for pleasure, not profit!
Wednesday, November 23, 2011
The Best Guitar Effects Processor - The Secret to Great Guitar Tone
Pure heart stopping distortion.
Those were the words used in a guitar player magazine advert for the Art sgx 2000 that first caught my attention. The most important thing I learned from owning one was how to eq my sound to get great guitar tone.
I know that sounds like I'm blowing my own trumpet, and everyone has their own idea of what a good guitar sound is, so let's just say I've learned a few things that hopefully you may find useful.
When it comes to direct recording, I've always tried to emulate the sound one hears when standing a fair distance away from the speakers, as opposed to the gritty sound one gets when the amplifier speaker is facing you directly.
Simple EQ guidelines.
I almost always end up adding more bass to my guitar sound. Not too much, but just enough to round out the sound. A guitar sound can actually handle quite a fair amount of extra bass before it gets overbearing.
The trick here is to offset it with the right amount of upper midrange. The frequency I generally like to use is 4 khz.
For bass, 100 Hz is usually fine, but it depends on the amplifier and speaker being modelled as well.
Guitar effects processors and amplifier modellers I've used successfully in the studio.
The Art SGX 2000 (No longer made). This had a valve preamp section which was configured in different ways to produce various sounds, as well as a solid state distortion. This had excellent effects and eq options. The closest thing available nowadays is the Rocktron Prophecy 2 and the Rocktron voodoo valve. The Sansamp classic. This in combination with the Art SGX 2000 gave me one of the most awesome rock guitar sounds. This is simply an amplifier simulator and has no extra effects like reverb, delay etc. The Roland GP 100. The first guitar effects processor from Roland to feature their "Composite Object Sound Modelling", or COSM for short. This was a totally digital unit, and even though the effects where good, the amp models left a lot to be desired. The latest COSM guitar preamps are mostly made by Boss, a subsiduary of Roland. The Behringer V-Amp. This little unit surprised me with the quality of some of its tones, especially for direct recording and live straight into the mixing desk. The trick was to use the right speaker cabinet model, as only a few where good. Behringer is now up to the V-Amp 3. The Boss GT-6. This multi-effects processor initially dissappointed me, but after really diving in and exploring every option available, I was eventually able to emulate a wide variety of guitar amps quite convincingly as well as find a guitar sound to call my own. If you've got one, the trick is to use the booster pedal effect to alter the tone of some amps as well as not be afraid to eq the hell out of it if you have to. The Boss GT-Pro. This, along with the GT 10 floor unit is the latest COSM processor, and is a rackmountable guitar rig for the recording studio.
While I've used other guitar processors than the ones mentioned above, I've excluded those that really didn't have what it takes.
There are also a lot of guitar processors I've never used before which may be excellent, but I can't really say anything about them until I do.
Some more tips when working with guitar amp modellers.
Never be afraid to get too radical with the EQ. Sometimes that's what it takes to turn a good sound into a great one.
Always take a break when you think you've found the sound you want, and come back later to see if it's still sounding good.
Check the sound with and without headphones. What sounds good on headphones can sometimes be a bit over the top when the studio monitors are used.
Use a guitar that's got medium to low output. Some processors can't handle the extremely high output of high gain pickups. I've found that pickups with an impedance of 15K or less work fine. 20K may be too much for certain digital processors.
Check all gain stages if you can, too see that no part of the effects chain is overloading the next one, or the output. This helps a lot with the final tone.
So what is the best guitar effects processor?
As always, this is very subjective. Everyone has a different taste in guitar sound. What I look for is a comprehensive EQ section with an option to put something in the effects loop, so I can add to the machine later.
As I mentioned earlier, the best rock guitar sound I ever got was using one of Tech 21's classic Sansamp pedals in the effects loop of my Art SGX 2000. Seeing as they don't make the Art anymore, I've found other options.
Your guitar and pickups can make a major difference as well. At the moment I use the Boss GT-Pro, and I've got some really great sounds from it, but not without tweaking and experimentation.
Tuesday, November 22, 2011
Tech21 Sansamp GT2 Demo Clip 1
Tech21 Sansamp GT2 demo clips from manual setting. Tech21 Sansamp GT2 demo clips from manual setting. Recording Gear: TCElectronic 24D Fender Mexico Stratocaster
Monday, November 21, 2011
Tech 21 BSDR SansAmp Bass Driver DI
!±8± Tech 21 BSDR SansAmp Bass Driver DI
Brand : Tech 21 | Rate : | Price : $199.00
Post Date : Nov 21, 2011 13:51:15 | Usually ships in 24 hours
| Price : $199.00Post Date : Nov 21, 2011 13:51:15 | Usually ships in 24 hours
Pre-amp, stomp box and DI all in one. Dial up big vintage tube tones, bright modern slap sounds, gnarly distortions, and all in between.
More Specification..!!
Subscribe to:
Posts (Atom)
|
|
|
|
 |
 |
 |
 |
 |
 |
 |
 |